HI all and Phil , The system sounds very interesting. Do you know if it is blind user friendly? Do you know people wo have it? Do you know how the breakout boxes are connected? I mean if an 2th breakout box will take an other PCI-slot? So what I would do with that system is to connect an 2th breakout box and connect my micro fone and my cd-player there and additional thinks that I may get later. How are the midi in- and outputs with this system? Will I have 2 midi in and 2 midi outputs? Best regards from Germany, Patrick Schuppe -----Ursprüngliche Nachricht----- Von: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx]Im Auftrag von Phil Muir Gesendet: Freitag, 23. Juni 2006 16:10 An: ddots-l@xxxxxxxxxxxxx Betreff: [ddots-l] Re: Need help deciding witch Soundcards I need Hi Jeff!! I have a MOTU PCI 2408 system here. This system has the mkII interface. I currently run 8 analogue inputs. I could ether run 8 analogue inputs plus 16 digital inputs together. That's the great thing about the MOTU systems. You can run up to 24 inputs at once. Also, you can add different breakout boxes. So, you could for example, if you had a box that has more analogue inputs, run 16 analogue and 8 digital inputs. My MOTU system's digital inputs and outputs, comprise both TDIF and ADAT. So, if I wanted to, I could run 1 bank of TDIF, one of ADAT and one bank of analogue. The mkII interface is not the newest one available. I can only run at 24 bit, and with sample rates of 44.1 and 48Khz. The newer mkIII interface can run up to 24 bit 96Khz. Now on to mixing concels. Well, personally, I was looking at getting a Soundcraft 328 XD. Advantages: The concel isn't very big at all. It's about a rack and a half in width. It would easily fit into my studio here. It has 16 digital outputs. It also has automated faders, and 2 lexicon affects units built in, as well as affects such as compression and gates on each channel. It also has lots of nice buttons that click and push in and out. It feels more like an analogue concel. I know blind guys who are using it with great success. It has 16 direct digital outputs and the digital support is built in so, I wouldn't need to add any cards for that. It would simply be a case of ordering it. All I would need to get then are the digital cables to connect it to the MOTU system by using ADAT or, TDIF. disadvantages, it only supports sample rates of 44.1 and 48Khz. That would be fine for me though as my system doesn't do anything above that anyway. Also, I would have to make up presets for the control surface side of things as it only seems to come with control surface implementation for Logic, Qubass Pro Tools and Cakewalk Pro Audio 9. Not a big deal though, as I could easily make up presets for the Cakewalk generic control surface with it. More info below: Soundcraft 328XD digital mixing console, the next generation of the popular Digital 328 production mixer, offering dynamics processing on every channel, group and mix path. With the 328XD, Soundcraft has considerably built upon its already impressive performance characteristics by further broadening the desk's functionality from straight sound mixing to production and control of sequencers and desktop synths. This will enable it to be the production control center for computers, DAWs and dedicated hard disk recorders, including dynamic automation and moving faders. Three years ago, the low-cost Digital 328 introduced a brand new audience used to the spontaneity of analogue mixing to the advantages of instant total recall, snapshot and dynamic automation, and onboard Lexicon effects -- styled like a traditional and instantly recognizable eight-bus analogue console. Thanks to its compact footprint, the digital mixer is ideal for small-to-mid-sized professional studio setups and home studio recording use alike. The Soundcraft 328XD is certain to also be a hit with commercial production facilities, such as advertising agencies, voiceover studios and jingle houses. Designed for use straight out of the box, the 328XD control surface needs little explanation, and virtually all functions are easily accessible through the mixer's unique 'E-Strip'. This can act as a horizontal channel strip, controlling EQ and aux sends, or a dynamics control panel, or as level controls for the tape returns. The 328XD also boasts a new dynamics feature set, including: a Gate and Compressor/Limiter on every channel; configurable direct outputs that provide more opportunities for recording feeds; two high-resolution Lexicon effects processors; the ability to route effects to groups for recording; total status recall at power-up; and improved connectivity. For instance, the S/PDIF output can be available on Optical port as well as RCA/Phono. Wordclock termination is available for systems using multiple clock connections, and the console may be synchronized to embedded ADAT wordclock as well as numerous clock sources. While the 328XD is an outstanding controller with legendary sonic performance for recording and mixing, its ability to control desktop sequencers and synths -- and, in turn, be controlled by them -- makes it possibly the most versatile console in its class. In fact, the 328XD has built-in interface capabilities to virtually all digital formats: ADAT and TDIF, plus S/PDIF and AES/EBU stereo in/out. The combination of all of these features will reassure discerning producers and engineers around the world, who have come to rely on the audio quality of Soundcraft's electronics design, that the 328XD embodies a truly no-compromise approach. Regards, Phil Muir P J Muir Productions Music and audio production URL: www.philmuir.com/ ----- Original Message ----- From: Jeff Molzow To: ddots-l@xxxxxxxxxxxxx Sent: Friday, June 23, 2006 2:03 PM Subject: [ddots-l] Re: Need help deciding witch Soundcards I need Hello Phil: What is the name of that MOTU 24/24 PCI card?? That would solve much light piping around here. And, which digital desk were you thinking of for the extra 16 inputs/outputs?? Thanks Jeff