Hi,
Hi Gord:
perhaps Jeanette forgot to enable the bus on the track. Just trying to help, Robert Lee
----- Original Message ----- From: "Gordon Kent" <dbmusic@xxxxxxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>
Sent: Tuesday, May 09, 2006 7:40 AM
Subject: [ddots-l] Re: Unusual use of Reverbs and Delays
Jeanette:
You should hear the reverb along with the dry signal when it is inserted into a bus and accessed from a send on the track. You are using sonar 4 aren't you? I guess so if you referred to the freeze function. I don't understand why you would only hear a dry signal when you solo a track. If you solo a bus that contains the reverb, you'll hear just the reverb signal.
Gord
----- Original Message ----- From: "Jeanette Contant-Galitello" <jeanette@xxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>
Sent: Tuesday, May 09, 2006 3:39 AM
Subject: [ddots-l] Unusual use of Reverbs and Delays
** To leave the list, click on the immediately-following link:-Hi everyone,
I have a question. I know that you normally use reverbs and delays via a bus and then you insert a send onto the track you want the effect on. But, with Sonars freeze facility, it doesn't really matter how many instances of reverbs and delays you use. So here is what I tried to do: Instead of putting the reverb and delay on the bus, I put it on the track and lowered the wetness to around 6%. The entire signal then goes through the effect. The reason I am trying this is so that when I solo that one track (for example a lead vocal) I can hear it with the effect. Otherwise I either hear it dry or have to also solo the reverb bus but then I hear the reverb of all the other instruments as well.
1. Is this recommended (probably not) 2. Does this method give a poorer quality signal? 3. I would appreciate any advice on this.
Thanks, Jeanette
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