The usual advice stands. Ask a sighted guitarist how it should look and then think about how that can be applied in Sibelius. For what it's worth, here's my take, although it might not be that informative, since I don't write that much commercial guitar music. You can use the guitar palm mute line when the muting is for a few notes. If it's for a long period I'd just write "mute" above the staff in technique text and "unmute" to return to a full sound. There may be some super-duper symbols that you can add but I don't know what they are and the text gets the job done. This is good for both tab and normal staves. As far as I know, you only use X in two situations, both of which depend on the notation. Unfortunately, we can't do either of these, at least not without a massive amount of headaches. 1. If you're writing the notes on a tablature staff and the muting produces unpitched notes, you put an X on the staff in stead of a number. Don't confuse this with a silent string. If a string is silent, you just don't put anything there. After all, it takes a rare kind of genius to play notes which aren't even written down. 2. If you're using chord diagrams - the grids which show frets and strings with blobs to indicate the fingering - an X is used to show that a string is silent. This is because chord diagrams are intended for use by those who strum everything, and so they need special instructions not to do something. Dan Rugman Visit www.musicaccess.co.uk for visually-impaired musicians and home of Sibelius Access If you wish to unsubscribe, send a blank message with the single word, unsubscribe - in the Subject line to: sib-access-request@xxxxxxxxxxxxx