Hi Bill, I'm glad Dancing Dots is getting this kind of exposure. Your entire team deserves it. I had the privelege of working with Gordon back in November of last year, and I will say for the record that it was an enlightening experience, not to mention a fun one for myself, my family, and a cousin of mine who I'm sure Gord will remember. DD has made music recording accessible for all of us, and that's something that all blind musicians should be greatful for. I personally would like to see more exposure for DD, and plan on contributing in any way I can toward that happening. Omar Binno My Space: www.myspace.com/omarbinno ----- Original Message ----- From: William R. McCann To: ddots-l@xxxxxxxxxxxxx Cc: goodfeel@xxxxxxxxxxxxx Sent: Thursday, May 17, 2007 5:03 PM Subject: [ddots-l] Dancing Dots Cited in Electronic Musician Magazine, May, 2007 Issue Check out page 63 of the May issue of Electronic Musician for a well-written article on accessibility for musicians with disabilities. It's called: "Studio Solutions for Disabled Musicians" by Scott Wilkinson and Joanna Cazden. We're happy that the authors included our praise for some of the companies that have been so supportive of our work including Cakewalk, Sibelius and Freedom Scientific. There's a bit of encouragement included for other companies we'd like to see make some progress in the area of accessibility. You will also find some names that may be quite familiar to you: Mike Mandel, Gordon Kent, David Pinto, Peter Elsea, Albert Milani and yours truly. There are also a number of other interesting people who may not be so familiar to you and their own stories and struggles are engaging and enlightening. My thanks to so many of you who work every day to improve access in general. In particular, I applaud Mike Mandel and Gordon Kent who have been advocating on behalf of blind musicians at the last few annual meetings of the National Association of Music Merchandisers (NAMM) shows. Their patient persistence has already had a number of tangible good results including this exposure to the mainstream music industry. It's just really nice to be heard over the general din out there, isn't it? Regards, Bill