Hahahahaha, good stuff! Now-a-days though, in popular music the less thought they put in lyrics the more successfull, lol. They just sing the hook/chorus over and over. I guess they're simply catchy. Anyways, good post, learned from it. On 6/6/12, Annabelle Susan Morison <foristnights@xxxxxxxxxxx> wrote: > Here's another one. > If the singer is like my Grandma Dorcas, who couldn't even carry a tune, > have them sing as terribly as they can. Have them overdrive the vibrato > until it sounds like they're some type of space alien. > > _____ > > From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On > Behalf Of Rui Vilarinho > Sent: Wednesday, June 06, 2012 4:01 AM > To: ddots-l@xxxxxxxxxxxxx > Subject: [ddots-l] Guaranteed Ways to Make Horrible Recordings > > > Hi guys, I hope you find the folowing very funny, make us thinking though! > > > > Guaranteed Ways to Make Horrible Recordings > > > > 1.Always start with a mediocre song. The less thought that goes into the > song the better. If you're the songwriter, just throw some music and lyrics > together as fast as you can. The key is to start recording as soon as > possible. > > 2.Don't bother with pre-production or any form of planning. The arrangement > will just magically happen for you. It's best to just dive in and hope for > the best.3.When you start recording, never take the time to listen to the > instruments/vocals in person. Always throw a mic in front of them and > listen > on headphones. You're better off not knowing what the source actually > sounds > like. > > 4.Always use multiple mics when you can. If it sounds good on one mic, it > will sound twice as good with two, three times as good with three, etc. > etc. > > 5.If you're not happy with the sound you're getting, don't worry about it. > You can always fix it in the mix. Just get something recorded. > > 6.When choosing a microphone, just pick the one that looks the best in > front > of the singer/instrument. Trying out different microphones is a waste of > time. > > 7.To get that "studio quality" microphone sound, place the mic as close to > the source as humanly possible. Trust me. > > 8.If you've got some sort of outboard compression available, USE IT. > Compression always makes recordings better. Just go for it. > > 9.When recording, make your levels as hot as possible. The meter needs to > be > just a few pixels away from clipping. > > 10.Acoustic treatment is a scam. Those acoustic treatment companies are > just > trying to rip you off. It makes NO difference on the sound of your > recordings. Don't buy it. > > 11.Once everything is recorded, go straight to mixing. Editing is a scam. > If > anything is out of time, it is NEVER okay to edit it. > > 12.When mixing, use at least 5 plug-ins on every track. > > 13.Just like with recording, keep the levels of everything really loud.just > shy of clipping. In fact, if you don't have a lot of clip lights going off > during your mix, you're doing it wrong. > > 14.When using EQ, find the frequencies you like and boost away. The more > boosting you do, the better. > > 15.If your mix is starting to sound muddy, boost the lows and the highs > some > more. That'll fix it. > > 16.Use LOTS of reverb. If you're not sure if you're using enough, turn it > up > a little more. > > 17.You should have used a lot of compression during recording. Now that > you're mixing, compress every track, too. You can't compress too much. > That's how you get your stuff to sound professional. Use at least 6 dB of > gain-reduction on each track.that's just a minimum. > > 18.When you're mixing, don't really think about the song. Focusing on > arrangement and the "feel" of the song really doesn't matter. You should > just turn up the faders and go. > > 19.When you bounce your mix, be sure to throw a limiter on it right at the > end. Your mix MUST be loud. > > 20.Speaking of loud, be sure to master your own mixes. Mastering is simply > putting a compressor and limiter on your master fader. Crush the mix, then > limit it, so that the waveform of the recorded mix looks like a rectangle. > That's what the professionals do. > > 21.Don't take any criticism on your mixes. If the client doesn't like the > mix, he's clearly not a professional like you. Tell him to leave you alone. > > 22.Also, make it a habit to only listen to your mixes. Don't bother > listening to professional mixes. There's nothing to learn there. The only > difference between you and a professional mix engineer is luck. They got a > big break, you didn't. There's no difference in talent whatsoever. > > 23.If you're ever unhappy with your mixes, buy more gear. > > > > 24. if the guitar is out of tune or if you were off key while singing, > don't > worry auto tune fixes everything > > > > 25. ask a vocalist to beat the crap out of their own volume to get maximum > level! and turn their own vocals in their headphones really loud with > reverb > and delay so they can imagine they are singing in a stadium cuz it sounds > so > much better! > > > > 26. ALWAYS MIX WITH HEADPHONES, MONITORS ARE A WASTE Of TIME.... > > > > 27. It's also a great idea to make the singer feel as uncomfortable as > possible, tension always brings out the best in someone! > > > > 28. I suggest never using a limiter during mixing. Only during mastering. > > > > #25 You don't need to tune your instrument every take. If it was in tune 30 > seconds ago we can all safely assume that it is still in fact, in tune. > Even > in the event that it is not, we can put that autotune plug in on it. It > actually sounds really good on bass. > > #25b. You don't have to set up your guitar, it was expensive, the > intonation > must be perfect. > > #25c. But I put new strings/heads on last month! > > HA! Nice. "My guitar was in tune three days ago, so we're good." > > > best regards, > Rui Vilarinho > _____ > > No virus found in this message. > Checked by AVG - www.avg.com > Version: 2012.0.2178 / Virus Database: 2433/5050 - Release Date: 06/05/12 > > _____ > > No virus found in this message. > Checked by AVG - www.avg.com > Version: 2012.0.2178 / Virus Database: 2433/5050 - Release Date: 06/05/12 > > -- Efren Chavez PLEASE READ THIS FOOTER AT LEAST ONCE! 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