[ddots-l] Re: Track Layering
- From: "Tim Burgess" <tim@xxxxxxxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Mon, 22 Sep 2008 09:01:32 +0100
This feature makes comping astonishingly easy for the sighted user, but its
metaphor doesn't really translate to non-mouse use.
Best wishes.
Tim Burgess
Raised Bar Ltd
Phone: +44 (0)1827 719822
Don't forget to vote for improved access to music and music technology at
http://www.raisedbar.net/petition.htm
-----Original Message-----
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Gordon Kent
Sent: 22 September 2008 00:23
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: Track Layering
Bill:
Well, in my oppinion, it is more trouble than it is worth. As with many
features in Sonar, there are many ways to skin the same cat. Layering is
mainly used to save multiple takes of a performance on the same track. By
selecting a portion of a given layer, it is possible to use that portion of
one performance, then select from another layer and use that passage. By
muting and unmuting specific layers, it is possible to create a compositte
take excerpted from multiple peformances. As Phil said, it's really easier
to save multiple performances on cloned tracks, then copy and paste to a
compositte track. Yes, some prospective customers might cry for that
feature just because their friends are doing it that way, but we've been
using the event list instead of the piano roll for years, it's that sort of
comparison.
Gord
----- Original Message -----
From: "Dancing Dots" <info@xxxxxxxxxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>
Sent: Saturday, September 20, 2008 12:23 PM
Subject: [ddots-l] Track Layering
> Is anyone using this feature with SONAR 7? Please tell me what works,
> if anything, and what doesn't. I myself have never tried to use it.
>
> Regards,
> Bill
>
> Bill McCann
> Founder and President of Dancing Dots since 1992 www.DancingDots.com
> Tel: [001] 610-783-6692
>
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> 9:33 AM
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>
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