Well, it's the old adage that the only stupid question is the one you don't ask for fear of looking dumb. Best wishes. Tim Burgess Raised Bar Ltd Phone: +44 (0)1827 719822 Don't forget to vote for improved access to music and music technology at http://www.raisedbar.net/petition.htm -----Original Message----- From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On Behalf Of Shawn Brock Sent: 01 December 2010 00:05 To: ddots-l@xxxxxxxxxxxxx Subject: [ddots-l] Re: the mysterious world of mastering Always good advice Tim. I was thinking, these guys will think I'm some kind of hack if I haul off and ask them this. So I ended up emailing Robert, he replied back and thanked me for asking. He said that he was thinking of putting together a Q&A for questions like this, and that he wished more people took the time to ask, instead of just showing up with just anything. Guess I don't feel like such a fool after all... Shawn ----- Original Message ----- From: "Tim Burgess" <tim@xxxxxxxxxxxxx> To: <ddots-l@xxxxxxxxxxxxx> Sent: Tuesday, November 30, 2010 9:15 AM Subject: [ddots-l] Re: the mysterious world of mastering > I'e talked to a few mastering engineers at seminars and the like and asked > this exact question. The answer they've all given me is to talk to the > engineer you're working with to see what he likes to be given. > > Best wishes. > > Tim Burgess > Raised Bar Ltd > Phone: +44 (0)1827 719822 > > Don't forget to vote for improved access to music and music technology at > > http://www.raisedbar.net/petition.htm > > > > -----Original Message----- > From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] > On > Behalf Of Shawn Brock > Sent: 30 November 2010 16:48 > To: ddots-l@xxxxxxxxxxxxx > Subject: [ddots-l] the mysterious world of mastering > > I'm always the first to say, I don't know when it comes to answering most > questions about mastering. And it seems that the longer I live, the less > I > know. You would think it would be the opposite right? > > Mastering has never been my cup of tee, and that aint ever going to change > as far as I can see. Its a lot like great visual art, I have a great > appreciation for it, but I know my talents lie elsewhere. > > I was reading back through several years of Sound On Sound Magazine, and > found some articles from great engineers who make a living on both sides > of > the fence, those who record and mix, and those who master. > > My reason for reading up on this is because the mixing of my record is > complete, and the mastering session will take place on December 13th. > > Its been a long time sense I was the party responsible for delivering > files > to a mastering house, and I see the game has changed, or maybe it hasn't. > > I'm working with Robert Hadley and Doug Sax of The Mastering Lab Inc > www.themasteringlab.com > > The credits and knowledge these men possess of there craft is quite > astounding! Needless to say, this is costing me a fare price, and I want > to > > give them the best product I can to work with... > > Anyhow, in the interest of providing the best possible files to them, I > wonder if any of you have any tips? > > I'm uploading split stereo 24-96 files to them a week in advance, and will > also be taking the files down on a hard drive. > > My questions are all about the meter. When I look at the master busses > output meter, my objective has been to get it to stay below 0. You know > how > > it goes, you start mixing on a tune, add some compression, turn the kick > up, > > and bla bla bla. The next thing you know, the output meter is bouncing > between minus 4 and plus 2... So in your collective opinions, what kind > of > output numbers do you like to see on a tune that's ready for mastering? > > I don't want to go to the point of obsession, and line A Coleman Audio > 2-channel VU meter into my chain, like David Rideau does... But I want > the > mastering house to have the best product they can get from me. > > Any thoughts and advice is always appreciated. > > Shawn > > PLEASE READ THIS FOOTER AT LEAST ONCE! > To leave the list, click on the immediately following link: > ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe > If this link doesn't work then send a message to: > ddots-l-request@xxxxxxxxxxxxx > and in the Subject line type > unsubscribe > For other list commands such as vacation mode, > click on the immediately following link: > ddots-l-request@xxxxxxxxxxxxx?subject=faq or > send a message, to > ddots-l-request@xxxxxxxxxxxxx > and in the Subject line type > faq > > > PLEASE READ THIS FOOTER AT LEAST ONCE! > To leave the list, click on the immediately following link: > ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe > If this link doesn't work then send a message to: > ddots-l-request@xxxxxxxxxxxxx > and in the Subject line type > unsubscribe > For other list commands such as vacation mode, > click on the immediately following link: > ddots-l-request@xxxxxxxxxxxxx?subject=faq or > send a message, to > ddots-l-request@xxxxxxxxxxxxx > and in the Subject line type > faq > PLEASE READ THIS FOOTER AT LEAST ONCE! To leave the list, click on the immediately following link: ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe If this link doesn't work then send a message to: ddots-l-request@xxxxxxxxxxxxx and in the Subject line type unsubscribe For other list commands such as vacation mode, click on the immediately following link: ddots-l-request@xxxxxxxxxxxxx?subject=faq or send a message, to ddots-l-request@xxxxxxxxxxxxx and in the Subject line type faq PLEASE READ THIS FOOTER AT LEAST ONCE! To leave the list, click on the immediately following link: ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe If this link doesn't work then send a message to: ddots-l-request@xxxxxxxxxxxxx and in the Subject line type unsubscribe For other list commands such as vacation mode, click on the immediately following link: ddots-l-request@xxxxxxxxxxxxx?subject=faq or send a message, to ddots-l-request@xxxxxxxxxxxxx and in the Subject line type faq