[ddots-l] Re: mackie onyx 1220i question

  • From: "Shawn Brock" <shawn@xxxxxxxxxxxxxx>
  • To: <ddots-l@xxxxxxxxxxxxx>
  • Date: Wed, 8 Dec 2010 14:15:52 -0800

I hear ya man.  I would love to have a big closet of mics.

I have to keep it real though.

Most people can run a pretty good project studio on a small number of microphones though. Back when I was in commercial business I would hate to know how much money I had in mics. Now, that I just do my own stuff and small projects for others, and I don't have to worry about tracking drums, I have 6 mics which I lean on.

I'm still against tracking with compression though. Do I see the reason? Sure I do! All I'm saying, is why not use a plugin for that. Put together presets that work for you if need be, but at least you still have control. So many people have made some horrible recording mistakes by entering destructive affects into the signal chain.

Nothing is worse than having to tell someone who's paying you, and someone who worked hard for hours on end, that there tracks aren't useable because of a choice you made. I have been lucky enough to never have had to deal with that, but I have seen it go down and it aint pretty.

Shawn
----- Original Message ----- From: "Nickus de Vos" <bigboy529@xxxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>
Sent: Wednesday, December 08, 2010 2:00 PM
Subject: [ddots-l] Re: mackie onyx 1220i question



Shawn i agree with you 100% on propper tracking rather than fix it in the mix. But the thing is not everyone has professional studios, time, money and lots of different mics to choose from. If i had my way i would want to record all my stuff analog using 16 track studer machines and noiman u87, u67 and u47 mics but shit happens and i can't. One must work with what you have and as i said earlyer if the situation calls for it compression while tracking can realy help if done propperly.
-original message-
Subject: [ddots-l] Re: mackie onyx 1220i question
From: "Shawn Brock" <shawn@xxxxxxxxxxxxxx>
Date: 08/12/2010 22:47

If its something like an AT 2020, its still time to go shopping...

How far is she from the mic?
----- Original Message ----- From: Brian Howerton
 To: ddots-l@xxxxxxxxxxxxx
 Sent: Wednesday, December 08, 2010 3:35 AM
 Subject: [ddots-l] Re: mackie onyx 1220i question


But charles this is a condenser mic. But you are saying this is normal? THat makes me feel a little better then.... It's an audio technica condenser mic. ----- Original Message ----- From: Charles Marston
   To: ddots-l@xxxxxxxxxxxxx
   Sent: Wednesday, December 08, 2010 6:30 AM
   Subject: [ddots-l] Re: mackie onyx 1220i question


I think this is usual when using a dynamic mic. However, with regards to the jump from negative 14 to negative 3, that may be normal depending on the kind of song you are recording. You may use a compresser afterwards to even out the dynamics on the track.



   From: Brian Howerton
   Sent: Wednesday, December 08, 2010 1:28 AM
   To: ddots-l@xxxxxxxxxxxxx
   Subject: [ddots-l] mackie onyx 1220i question


       Hello all,
Yesterday I was recording a client with my new mackie onyx1220I and I was finding that I was having to run the tain knob really hot in order to get good meter readings. It was like one minute she would be at -14 or -21 and then she would jump to a louder portion of a song and it would jump sometimes to like -3 or -2. Am I doing something wrong? I mean is it normal to have to run the gain knob all the way almost to it's max? COuld use some help please... Thanks,
   Brian

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