ok, the bass or treble control on your stereo is adjusting a wide
band of frequencies. let's say just as an example, 20 Hz to 1kHZ,
attached to a single knob. That's a wide band. If it adjusted 20 HHz
to 100Hz, that would be a much narrower band. Right?
So yeah, narrow as aposed to wide.
At 12:28 AM 12/9/2015, you wrote:
For the amateur mixers on this list like myself, can you be a little more
specific? When you say narrow band of EQ what exactly do you mean?
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-----Original Message-----
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Chris Smart
Sent: Tuesday, December 08, 2015 11:49 PM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: DeEssing
Floyd, there's a De-esser built into either the VC64 (vocal channel) or
maybe it's the Vintage channel? Anyway, one of those two plug-ins has a
de-esser section.
As for finding the offending frequency where the sibilance lives, that's
where you boost a narrow band of EQ and sweep around until you find it.
Seriously. Use your ears for that part. (grin)
Rather than manually selecting and lowering S-sounds, why not build your own
de-esser? Use the Sonitus compressor. Feed it's side-chain input with a
heavily EQ'ed version of the vocal, EQ'ed with low and high pass filters set
around your target frequency where the sibilance is.
Chris
At 06:29 PM 12/8/2015, you wrote:
>Hey there,
>
>
>Been using Sonar for a long time. I have yet to find a DeEsser on board.
>
>Tired of doing that manually with volume and eq. Takes forever.
>
>Anyone out here use something within Sonar?
>
>And
>
>is there an accessible Sonar analyst tool to nail the offending
>frequency between 4 and 10 k?
>
>I've actually found it a bit faster to push a vocal to SoundForge,
>treat it and bring it back. But still very very labor intensive.
>
>
>thanks,
>Floyd...
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