[ddots-l] Re: License Agreement
- From: "Annabelle Susan Morison" <foristnights@xxxxxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Thu, 26 Aug 2010 16:43:01 -0700
The only thing I paid for was gasoline for our car when going to and from
Seattle, renting the studio space, renting a moving truck to transport the
bells, and thirteen hours of studio time.
_____
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Dave Hillebrandt
Sent: Thursday, August 26, 2010 4:15 PM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: License Agreement
Copyrighting sound samples could be particularly tricky and certainly agree
that a lawyer who specificly handles copyrights and music law would be who
you need. Depending where you live, this may not always be the easiest type
of attourney to find cause smaller areas may not have too many of them
around. First thing would be proof that either you made these samples or
paid someone to make them because there are often legal rangling with rap
musicians using samples that they lifted from someone else. Best of luck,
Dave
----- Original Message -----
From: Darren H <mailto:darren@xxxxxxxxxxxx>
To: ddots-l@xxxxxxxxxxxxx
Sent: Thursday, August 26, 2010 9:53 AM
Subject: [ddots-l] Re: License Agreement
I think he's basically saying that we're not legal experts and copyright is
a legal issue.
Without the proper research and legal advice from qualified experts, you
could be leaving yourself open to all sorts of trouble.
You wouldn't ask a dog trainer about heart sergery for a totally stupid
example.
Cheers
Darren
_____
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Annabelle Susan Morison
Sent: 26 August 2010 14:38
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: License Agreement
What do you mean when you say, "you could find out that you're your own
worst enemy? That sounds kind of strange.
_____
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Tim Burgess
Sent: Thursday, August 26, 2010 2:45 AM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: License Agreement
Hi,
Darren's absolutely right. If you're operating professionally you need
professional legal advice when drawing up license terms, etc. or you could
find out that you're your own worst enemy.
Best wishes.
Tim Burgess
Raised Bar Ltd
Phone: +44 (0)1827 719822
Don't forget to vote for improved access to music and music technology at
<http://www.raisedbar.net/petition.htm>
http://www.raisedbar.net/petition.htm
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Annabelle Susan Morison
Sent: 26 August 2010 04:21
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] License Agreement
Hi, it's Annabelle.
I'm in the process of starting a company that sells sample libraries, and I
have an important question for you. What does it mean when companies say
that their sample libraries are 100% copyright clean? I want to make sure
that the sample libraries that I make and sell through my company are 100%
copyright clean. How do I do this? Also, how should I write the license
agreement that will go with these sample libraries? The first library I'm
planning to sell will be called Way-Cool Bell Choir. I plan to sell it for
$200 a copy. More information about my company can be found here.
<blocked::http://www.waycoolsamples.com/> http://www.waycoolsamples.com
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