[ddots-l] Re: License Agreement
- From: "Dave Hillebrandt" <dave@xxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Thu, 26 Aug 2010 22:54:48 -0400
It does sound like fun for sure even though cost a bit of money from what it
sounds. Hopefully you can now do some recording on your sonar software and not
have to rent as much studio space from someone else. I had thought about
sampling some shokra chimes I have but its hard to find a microphone that
really does the job. For the price you are looking, it would have to be someone
or group who really took hand bells seriously, but am sure there are such
groups. I hope you are able to find your market for them. Dave
----- Original Message -----
From: Annabelle Susan Morison
To: ddots-l@xxxxxxxxxxxxx
Sent: Thursday, August 26, 2010 7:43 PM
Subject: [ddots-l] Re: License Agreement
The only thing I paid for was gasoline for our car when going to and from
Seattle, renting the studio space, renting a moving truck to transport the
bells, and thirteen hours of studio time.
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From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Dave Hillebrandt
Sent: Thursday, August 26, 2010 4:15 PM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: License Agreement
Copyrighting sound samples could be particularly tricky and certainly agree
that a lawyer who specificly handles copyrights and music law would be who you
need. Depending where you live, this may not always be the easiest type of
attourney to find cause smaller areas may not have too many of them around.
First thing would be proof that either you made these samples or paid someone
to make them because there are often legal rangling with rap musicians using
samples that they lifted from someone else. Best of luck, Dave
----- Original Message -----
From: Darren H
To: ddots-l@xxxxxxxxxxxxx
Sent: Thursday, August 26, 2010 9:53 AM
Subject: [ddots-l] Re: License Agreement
I think he's basically saying that we're not legal experts and copyright is
a legal issue.
Without the proper research and legal advice from qualified experts, you
could be leaving yourself open to all sorts of trouble.
You wouldn't ask a dog trainer about heart sergery for a totally stupid
example.
Cheers
Darren
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From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Annabelle Susan Morison
Sent: 26 August 2010 14:38
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: License Agreement
What do you mean when you say, "you could find out that you're your own
worst enemy? That sounds kind of strange.
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From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Tim Burgess
Sent: Thursday, August 26, 2010 2:45 AM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: License Agreement
Hi,
Darren's absolutely right. If you're operating professionally you need
professional legal advice when drawing up license terms, etc. or you could find
out that you're your own worst enemy.
Best wishes.
Tim Burgess
Raised Bar Ltd
Phone: +44 (0)1827 719822
Don't forget to vote for improved access to music and music technology at
http://www.raisedbar.net/petition.htm
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Annabelle Susan Morison
Sent: 26 August 2010 04:21
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] License Agreement
Hi, it's Annabelle.
I'm in the process of starting a company that sells sample libraries, and I
have an important question for you. What does it mean when companies say that
their sample libraries are 100% copyright clean? I want to make sure that the
sample libraries that I make and sell through my company are 100% copyright
clean. How do I do this? Also, how should I write the license agreement that
will go with these sample libraries? The first library I'm planning to sell
will be called Way-Cool Bell Choir. I plan to sell it for $200 a copy. More
information about my company can be found here. http://www.waycoolsamples.com
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