[ddots-l] Re: Poly Voicing, Clarification
- From: "Andrew English \(paper music\)" <data@xxxxxxxxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Mon, 9 Mar 2009 10:03:30 -0700
Mike,
That's right. The Clarinet has a nice attack and mellow sustain tone. I
like using the oboe with the pipe organ. Adds a nice bite to the organ's tone,
just like adding the reed stop on a real organ. Also, with the organ, change
the octave of parts of the voice to simulate 4-foot or 16-foot (or
shorter/longer) stops.
If anyone knows how to manipulate the RSC/RSD MIDI files produced by the
Roland MT-200 sound module, I can post some music files I've produced. They're
at least 10 years old. I haven't done a lot of sequencing lately.
-Andy
----- Original Message -----
From: Mike Christer
To: ddots-l@xxxxxxxxxxxxx
Sent: Monday, March 09, 2009 8:34 AM
Subject: [ddots-l] Re: Poly Voicing, Clarification
You should try a clarinet in there too...
----- Original Message -----
From: Andrew English (paper music)
To: ddots-l@xxxxxxxxxxxxx
Sent: Monday, March 09, 2009 3:25 PM
Subject: [ddots-l] Re: Poly Voicing, Clarification
Sharon,
Yes, that's polyvoicing. Using two very similar voices together to
produce a single voice (still on two tracks) that sounds better. Still sounds
like just a string section, but you're combining the attack and decay
attributes. (For strings, I like to add a soft flute sound, just to get a nice
attack.)
-Andy
----- Original Message -----
From: Sharon Hooley
To: Cake Talking List
Sent: Monday, March 09, 2009 4:54 AM
Subject: [ddots-l] Poly Voicing, Clarification
One of you mentioned the idea of poly voicing. Is that where you do what
I mentioned earlier, using a different staccato strings for quick action along
with the slower strings? I'm actually using "string section," not "slow
strings." I think I'll go to work on correcting the time offset.
thanks all!
Sharon
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