[ddots-l] Re: Poly Voicing, Clarification

  • From: "Mike Christer" <m-christer@xxxxxxxxxxxxx>
  • To: <ddots-l@xxxxxxxxxxxxx>
  • Date: Mon, 9 Mar 2009 18:10:21 -0000

That's cool, you obviously know your s**t...  

It's all about combinations which, like you've identified, make certain 
instruments actually sound more like themselves, if you know wot I'm trying to 
say...  

I think its because composers have used this quote poly quote trip for 
centuries, and Joe Bloggs doesn't realise that what they're hearing ain't 
exactly wotz appnin!  

Mike


  ----- Original Message ----- 
  From: Andrew English (paper music) 
  To: ddots-l@xxxxxxxxxxxxx 
  Sent: Monday, March 09, 2009 5:03 PM
  Subject: [ddots-l] Re: Poly Voicing, Clarification


  Mike,
      That's right. The Clarinet has a nice attack and mellow sustain tone. I 
like using the oboe with the pipe organ. Adds a nice bite to the organ's tone, 
just like adding the reed stop on a real organ. Also, with the organ, change 
the octave of parts of the voice to simulate 4-foot or 16-foot (or 
shorter/longer) stops.
      If anyone knows how to manipulate the RSC/RSD MIDI files produced by the 
Roland MT-200 sound module, I can post some music files I've produced. They're 
at least 10 years old. I haven't done a lot of sequencing lately.
      -Andy
    ----- Original Message ----- 
    From: Mike Christer 
    To: ddots-l@xxxxxxxxxxxxx 
    Sent: Monday, March 09, 2009 8:34 AM
    Subject: [ddots-l] Re: Poly Voicing, Clarification


    You should try a clarinet in there too...


      ----- Original Message ----- 
      From: Andrew English (paper music) 
      To: ddots-l@xxxxxxxxxxxxx 
      Sent: Monday, March 09, 2009 3:25 PM
      Subject: [ddots-l] Re: Poly Voicing, Clarification


      Sharon,
          Yes, that's polyvoicing. Using two very similar voices together to 
produce a single voice (still on two tracks) that sounds better. Still sounds 
like just a string section, but you're combining the attack and decay 
attributes. (For strings, I like to add a soft flute sound, just to get a nice 
attack.)
          -Andy
        ----- Original Message ----- 
        From: Sharon Hooley 
        To: Cake Talking List 
        Sent: Monday, March 09, 2009 4:54 AM
        Subject: [ddots-l] Poly Voicing, Clarification


        One of you mentioned the idea of poly voicing.  Is that where you do 
what I mentioned earlier, using a different staccato strings for quick action 
along with the slower strings?  I'm actually using "string section," not "slow 
strings."  I think I'll go to work on correcting the time offset.

        thanks all!

        Sharon

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