[ddots-l] Re: Poly Voicing, Clarification
- From: "Tim Burgess" <tim@xxxxxxxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Mon, 9 Mar 2009 20:43:29 -0000
This is stuff that every organist understands. It's just like we understand
additive synthesis - just bang in those extra lengths of pipes and off we
go...
Best wishes.
Tim Burgess
Raised Bar Ltd
Phone: +44 (0)1827 719822
Don't forget to vote for improved access to music and music technology at
http://www.raisedbar.net/petition.htm
-----Original Message-----
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Mike Christer
Sent: 09 March 2009 18:10
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: Poly Voicing, Clarification
That's cool, you obviously know your s**t...
It's all about combinations which, like you've identified, make certain
instruments actually sound more like themselves, if you know wot I'm trying
to say...
I think its because composers have used this quote poly quote trip for
centuries, and Joe Bloggs doesn't realise that what they're hearing ain't
exactly wotz appnin!
Mike
----- Original Message -----
From: Andrew English (paper music) <mailto:data@xxxxxxxxxxxxxx>
To: ddots-l@xxxxxxxxxxxxx
Sent: Monday, March 09, 2009 5:03 PM
Subject: [ddots-l] Re: Poly Voicing, Clarification
Mike,
That's right. The Clarinet has a nice attack and mellow sustain
tone. I like using the oboe with the pipe organ. Adds a nice bite to the
organ's tone, just like adding the reed stop on a real organ. Also, with the
organ, change the octave of parts of the voice to simulate 4-foot or 16-foot
(or shorter/longer) stops.
If anyone knows how to manipulate the RSC/RSD MIDI files
produced by the Roland MT-200 sound module, I can post some music files I've
produced. They're at least 10 years old. I haven't done a lot of sequencing
lately.
-Andy
----- Original Message -----
From: Mike Christer <mailto:m-christer@xxxxxxxxxxxxx>
To: ddots-l@xxxxxxxxxxxxx
Sent: Monday, March 09, 2009 8:34 AM
Subject: [ddots-l] Re: Poly Voicing, Clarification
You should try a clarinet in there too...
----- Original Message -----
From: Andrew English (paper music)
<mailto:data@xxxxxxxxxxxxxx>
To: ddots-l@xxxxxxxxxxxxx
Sent: Monday, March 09, 2009 3:25 PM
Subject: [ddots-l] Re: Poly Voicing, Clarification
Sharon,
Yes, that's polyvoicing. Using two very similar
voices together to produce a single voice (still on two tracks) that sounds
better. Still sounds like just a string section, but you're combining the
attack and decay attributes. (For strings, I like to add a soft flute sound,
just to get a nice attack.)
-Andy
----- Original Message -----
From: Sharon Hooley <mailto:shooley2@xxxxx>
To: Cake Talking List
<mailto:ddots-l@xxxxxxxxxxxxx>
Sent: Monday, March 09, 2009 4:54 AM
Subject: [ddots-l] Poly Voicing,
Clarification
One of you mentioned the idea of poly
voicing. Is that where you do what I mentioned earlier, using a different
staccato strings for quick action along with the slower strings? I'm
actually using "string section," not "slow strings." I think I'll go to
work on correcting the time offset.
thanks all!
Sharon
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