Have you considered Band in a Box? Sounds like exactly what you need. And there are scripts to help with access. Dave ----- Original Message ----- From: Damon Fibraio To: midimag@xxxxxxxxxxx Cc: ddots-l@xxxxxxxxxxxxx Sent: Thursday, July 22, 2010 18:21 Subject: [ddots-l] putting together backing tracks OK, so I am sitting here contemplating this solo project thing. And I have some general ideas, but would really like some help from those of you doing this kind of thing. My goal is to put together sets of music that I play along to. Either I play the tracks from my newly acquired Zoom h4n or I use my laptop. Not sure which yet. The tracks will be rock and roll based, generally from the 60s through today, probably with a larger emphasis on 70s and 80s and some 90s and some modern, although I won't rule out a beatles song or whatnot. My weapons of choice for recording the tracks include sonar 8.5.3 lots of effects, superior drummer as a plugin for drums, trilian for bass, my motif xs7 run through a line6 pod x3 live or gear box for guitars, plus all my ardware like the motif, pc3, ord rack 2x and soft synths like b4, pro53, fm7, dimension pro, rapture and god knows what else I have here. So, my problems are like this. IN putting together tracks, I am trying not to go too far into overproduced land, so no doubling backing vocals, trying not to overarrange things, basically making it drums, bass, one or two guitars, and enough keyboard parts that can be officially pulled off live. I don't want it to sound too canned, I want it to have a live feel to it. So, there'd be no more than 2 harony parts in addition to what I sing. I plan on going one step further with this live and actually doing guitar oriented stuff using my roland ax1 shoulder controller for the guitar stuff, like say I want to do Talk dirty to me by poison, I'd literally play it on a keytar including the solos using a motif xs7 guitar patch going through my pod. Now. My biggest issue is finding the rght drum sound for superior drummer. I don't know if I should make it sound like abig room or more tight. I have always liked a big room drum sound. Plus, should I tailor the drum sound for each song. Say I am going to do are you gonna go my way by lenny kravitz. That's a different sound on the drum compared to 25 oor 6 2 4 by Chicago, which is different than cult of personality by living color, which is different to some beatles track. So, should I get one template drum sound or tailor them to each song? I am worried about it sounding too much like karaoke and want it to sound like it would if there were musicians behind me. So, what's the best way to go about making this sound that way? Also, what kind of PA requirements would I need for something like this? I currently only use one Mackie srm monitor. I wonder if that would be enough? It's got a 12 inch woofer and a horn tweeter. Put it on astand, maybe it'd be good, but it wouldn't be stereo. I know that doesn't matter, I am not going to pan my tracks left and right. But should I try something else Also, effects? Record vocals dry or not? Lastly, am I barking up the wrong tree with this kind of material? I don't really want to do atypical set of Billy Joel and Elton john and all light stuff. I want to do some of that, but I also want to rock out a bit and do things most people would never expect a keyboard player to do. I just want it to be believeable and not sound like karaoke. So, any suggestions and I'd love you forevfer. If I think of other questions, I'll throw them in, but 6this is probably too much as it is. -- Damon Fibraio personal site: http://www.keyboardguy.com band site: Days Before Tomorrow http://www.daysbeforetomorrow.com Find me on facebook as Damon fibraio or twitter as dfibraio