[ddots-l] Re: rekindling the passion for music composition

  • From: "Steve Wicketts" <steve.wicketts@xxxxxxxxxxxxxxxx>
  • To: <ddots-l@xxxxxxxxxxxxx>
  • Date: Sun, 11 Jul 2010 22:54:43 +0100

Phil wrote, "Paul, you've hit the knail on the head.  the key to this is 
keeping on track.  One of the hardest things that musicians seem to struggle 
with is focus."

Well Phil, the hardest thing I have to struggle with is Latency ha ha.

Steve W 

From: Phil Muir 
  To: ddots-l@xxxxxxxxxxxxx 
  Sent: Sunday, July 11, 2010 8:25 PM
  Subject: [ddots-l] Re: rekindling the passion for music composition


  Paul wrote: Interesting topic this. This is just my own personal thoughts on 
composing at the moment. I'm 40 years old and have been messing around with 
recording and production since I was 15. It isn't always easy to motivate 
yourself to compose music especially up to a releasable standard. I used to 
joke with some of the bands I have worked with over the years about the "eye of 
the tiger". When your young and just getting into music everything is new and 
magical and one is eager to learn the tricks of the trade. Like most things I 
guess once you know how the trick is done you need more and more novelty to get 
the creative juices going. I've found it harder to finish tracks as I have got 
older. Starting them is pretty easy though LOL. It's like being a production 
junkie LOL.

  I have found that the best times I have had writing music have been working 
with another like minded person. I always had more fun, got more done and far 
quicker when I had a great working partner. This is despite all the changes 
with technology and the effort it takes to learn it before you can even get 
started on any tune.

  Phil replied: agreed.   I too write and record material however, I find that 
easier to do when collaborating with someone else.  As for recording covers 
well, that's a different story.

  Paul wrote: I sometimes wonder whether having a computer that can do just 
about anything these days in some ways isolates us music makers and discourages 
us from making the effort to work with other musicians.

  Phil replied: I don't know.  Sometimes it can work the other way too.  Have 
been in the position where I have been asked to play guitar on a project 
because the people involved, felt I could bring something to the table.  I find 
that exciting.  The fact that you can have people play together who have never 
met yet, because they are all great players and know exactly where to play and 
more importantly, where not to play then, this really can work.  I think having 
more individuals play on a track can really inject energy into the music that 
you're recording.

  Paul wrote: though I have a room full of old synths, drum machines, guitars 
etc, I have taken to just having my Novation remote 61 controller keyboard and 
a laptop in the conservatory and a guitar in the corner. O yes, and my rocking 
chair LOL, I just find having this simple setup works better for me these days 
for breaking the back of a new track. I won't start playing with any retro 
stuff until I have gone through this process now. It keeps me on track if you 
pardon the pun!!!

  Phil replied: Paul, you've hit the knail on the head.  the key to this is 
keeping on track.  One of the hardest things that musicians seem to struggle 
with is focus.




  Regards, Phil Muir
  Accessibility Training
  Telephone: US (615) 713-2021
  UK +44-1747-821-794
  Mobile: UK +44-7968-136-246
  E-mail:
  info@xxxxxxxxxxxxxxxxxxxxxxxxxxx <mailto:info@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
  URL:
  http://www.accessibilitytraining.co.uk/ 



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