[ddots-l] Re: rekindling the passion for music composition
- From: "Tim Burgess" <tim@xxxxxxxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Mon, 19 Jul 2010 13:19:01 +0100
Either that, or he'd got enough space heaters already.
Best wishes.
Tim Burgess
Raised Bar Ltd
Phone: +44 (0)1827 719822
Don't forget to vote for improved access to music and music technology at
<http://www.raisedbar.net/petition.htm>
http://www.raisedbar.net/petition.htm
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Mike Christer
Sent: 18 July 2010 12:34
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: rekindling the passion for music composition
I reckon Gord got rid of the Synclavier because he found it too damn
portable?
giggle!
----- Original Message -----
From: Tim Burgess <mailto:tim@xxxxxxxxxxxxx>
To: ddots-l@xxxxxxxxxxxxx
Sent: Monday, July 19, 2010 10:45 AM
Subject: [ddots-l] Re: rekindling the passion for music composition
Gord,
Why did you get rid of the Synclavier, as a matter of interest?
Best wishes.
Tim Burgess
Raised Bar Ltd
Phone: +44 (0)1827 719822
Don't forget to vote for improved access to music and music technology at
http://www.raisedbar.net/petition.htm
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Gordon Kent
Sent: 16 July 2010 21:58
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: rekindling the passion for music composition
Heloo:
When I had he syjhclavier which was the first real digital workstation, I
could create sounds almost instantly. It was ver tactically friendly even
though it did only have one knob for changing values, but a whole bunch of
buttons to select the parameter and of course you heard the changes in real
time. It used a combination of FM and what they called frame synthesis
which allowed you to change harmonic content over time, cross fading from
one scene to another. I really miss it. On top of that the sequencer was
very straight forward also using the button pannel to make punches,
rewind/fast forward, etc. You could boujnce sounds vrom one track to
another, and it did have midi implementation, though it wasn't very complete
at the time. Still, I feel like I did some of my best composing work with
that setup. Sculpting sounds with synths like z3 or rapture is very time
consuming and counterproductive in my oppinion.
Gord
----- Original Message -----
From: Steve Wicketts <mailto:steve.wicketts@xxxxxxxxxxxxxxxx>
To: ddtots <mailto:ddots-l@xxxxxxxxxxxxx>
Sent: Sunday, July 11, 2010 5:03 AM
Subject: [ddots-l] Re: rekindling the passion for music composition
Hi Scott,
Everyone has that wow factor when having their first synth or Work Station,
the sounds sound amazing to you and you own it. In a few Weeks you know
exactly where every single patch sound is located and which one's you love.
Everything is quick and this links to being inspired.
Using Sonar, is a much slower working environment, , we have issues with a
lot of the great sounds not being accessible and there's a lot to learn,
however, once you climb the learning mountain.
The view is one of production levels that you never thought possible,
understanding of making a tiny softsynth sound so big it blows your speakers
off the wall.
Having effects where you can tweak or even completely change the presets,
Routing sound so you can isolate the whole Horn section with just one key
stroke.
I too felt disillusioned when first looking at Sonar, I'd spend a Week on a
project and when comparing my Sonar project with the same Motif project the
Motif would sound much richer and overall just better.
It took awhile and loads of patients before the Motif was finally made to
look like an old little mouse frightened in the corner of my studio.
I don't believe your Passion has gone, it's just frustration throwing a
blanket over it.
If you'd like, I could sent you an MP3 of some music I did on the Motif and
the revamped version on Sonar.
Just let me know what style of music you like and I'll send examples in that
style.
It's music from other artiste that inspires me, for example, Prince's new
album "2010" was released in Europe and the UK yesterday, after hearing this
album, my inspiration has been set to mega boost.
His best album in 20 years and I've got them all.
Steve W
----- Original Message -----
From: Scott Lawlor <mailto:sklawlor@xxxxxxx>
To: ddots-l@xxxxxxxxxxxxx
Sent: Sunday, July 11, 2010 3:47 AM
Subject: [ddots-l] rekindling the passion for music composition
Hello.
I'm feeling lately that the passion and love for music composition that I
used to have is fading.
When I got my kurzweil pc3, and would play it, I didn't feel the same
excitement and creative spark that I felt long ago when I had my first
keyboard.
I'm not sure if it's a case where maybe I've changed over all this time
without an outlet for musical creativity because I've been without a board
for so long but I'm wondering, for those of you who have been in music for a
while, how do you ignite the passion if you feel it slipping away?
Someone suggested to me that maybe I'm just ready to go in a new direction
musically. Reworking old material is predictable and boring, even on a new
board and as much as I'd like to get into ambient and space music, I find
that when I try to write that sort of thing, I find myself wondering where
to go with an idea, how long to stretch it out, etc. I enjoy the long-form
characteristics of a lot of ambient music. Perhaps I'm getting in my own way
as I've heard that some artists have that problem.
If we get this new house that we're hoping to buy, I'll have a dedicated
space for my pc and whatever keyboard I decide to buy and maybe that will
help, having my own personal creative space. Right now, everything's in the
study which is a common area for all of us.
Thanks for letting me ramble out some thoughts and for giving me any ideas
or feedback you might have regarding what I've written.
Scott
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