Good job Chris! I could sit here and tell you what I would have done different, but that's not to say that you aren't right on the money with your mixing choices...
It always seems that most people want to tell you how they would have done it, and that obviously, there way is the only way the tune will sound right... I hate that!
I don't know how you did anything with the Hip-hop tune, not really a tune... It needed music, pretty empty.
Its funny how each person will come up with a different prospective in regards to mixing...
It seems like a fun assignment! Shawn----- Original Message ----- From: "Chris Smart" <chris_s@xxxxxxxxxxxx>
To: <jsonar@xxxxxxxxxx> Cc: <ddots-l@xxxxxxxxxxxxx> Sent: Monday, December 06, 2010 1:47 AM Subject: [ddots-l] More Mixes for your Monday Morning
Hi folks. Here I am with a couple more mixes. When I'm Gone (folk rock): http://www.sendspace.com/pro/dl/od93lb Notes:* octave down backing vocals move around spookily, or that was the intended effect anyway.* Organ way in the background. * Mandolin delays left/right in time with the song.I compressed the drums too much, but I like the sounds I got, especially the pop on harder snare hits!Pour It(Hip Hop): http://www.sendspace.com/pro/dl/8ld0uwI ran out of time doing all the vocal edits. The track that just goes "hey hey hey" is a bit out of time for sure!Since we aren't dealing with humans playing real drums and other instruments here, I got more creative.The song seems to be about wasting perfectly good champagne by pouring on the floor. So, I filtered the cymbals to add more "fizziness".Also, I tried to filter the breathing sounds in the background as if they were more like fluid being poured in and out of a container. This one didn't work so well but i left it in.The 808-Conga popping in the middle was already sounding a couple notes in the song's key of D major, if rap songs can have a key that is. So, I added a short delay to make it resonate at 2nd octave D natural as well.I hard-panned the hand claps, fattened them up, and added some quiet quarter note rhythmic delays. There's also something neat going on with the verse vocals, way way in the background.I didn't Autotune anything. the one track with that robotic effect is how we received it - but it was just a single mono track, so I added some stereo effects and doubling.About pitch correction:I haven't investigated V-Vocal yet. How good is it compared to Melodyne and Autotune? In the case of Autotune, I see that Phil has graciously developed HSC sets for Autotune 5. Is it possible to still buy that version?and is Melodyne accessible at all? ChrisP.S. In my mixing class, people are pitch-correcting individual phrases or even halves of phrases, by hand. That is, they aren't using automatic mode, but specifying how much they want things corrected, and how much of the original vibrato to retain. Can we get as specific as that with any of the plug-ins? The speed people can do this with the mouse is scary, not to mention moving bits of phrases or drum beats around in time.PLEASE READ THIS FOOTER AT LEAST ONCE! To leave the list, click on the immediately following link: ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe If this link doesn't work then send a message to: ddots-l-request@xxxxxxxxxxxxx and in the Subject line type unsubscribeFor other list commands such as vacation mode, click on the immediately following link:ddots-l-request@xxxxxxxxxxxxx?subject=faq or send a message, to ddots-l-request@xxxxxxxxxxxxx and in the Subject line type faq
PLEASE READ THIS FOOTER AT LEAST ONCE! To leave the list, click on the immediately following link: ddots-l-request@xxxxxxxxxxxxx?subject=unsubscribe If this link doesn't work then send a message to: ddots-l-request@xxxxxxxxxxxxx and in the Subject line type unsubscribeFor other list commands such as vacation mode, click on the immediately following link:
ddots-l-request@xxxxxxxxxxxxx?subject=faq orsend a message, to ddots-l-request@xxxxxxxxxxxxx
and in the Subject line type faq
