[ddots-l] Re: comping vocal takes

  • From: "neville" <neville@xxxxxxxxxxxxxxxx>
  • To: <ddots-l@xxxxxxxxxxxxx>
  • Date: Tue, 10 Mar 2009 16:47:08 -0400

OK I see it's a visual thing. 

May the peace of God that passes all understanding guard your heart and mind
in Christ Jesus 

God Bless You!

email neville@xxxxxxxxxxxxxxxx

                                                Website
http://www.nevillepeter.com 

phone number 407-222-4488


-----Original Message-----
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Phil Muir
Sent: Tuesday, March 10, 2009 2:48 PM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: comping vocal takes

To be honest, I still can't see why as a blind person, we would want to use 
layers.  cloning the best take you have then choosing the best bits of 
others is way easier for us.  If you can see then, comping with layers may 
be the way to go as you can see all of the clips visually.

Regards, Phil Muir

P J Muir Productions,
Music And Audio Production
Telephone: US (615) 713-2021
UK+44-1747-821-794
Mobile: UK +44-7968-136-246
E-mail:
info@xxxxxxxxxxxx
URL:
www.philmuir.com/
----- Original Message ----- 
From: "neville" <neville@xxxxxxxxxxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>
Sent: Tuesday, March 10, 2009 3:48 PM
Subject: [ddots-l] Re: comping vocal takes


> So it's not accessible. That's too bad. I have seen it done in other 
> studios
> and I must say it seems real convenient.
>
> May the peace of God that passes all understanding guard your heart and 
> mind
> in Christ Jesus
>
> God Bless You!
>
> email neville@xxxxxxxxxxxxxxxx
>
> Website
> http://www.nevillepeter.com
>
> phone number 407-222-4488
>
>
> -----Original Message-----
> From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] 
> On
> Behalf Of Phil Muir
> Sent: Tuesday, March 10, 2009 10:07 AM
> To: ddots-l@xxxxxxxxxxxxx
> Subject: [ddots-l] Re: comping vocal takes
>
> Yes but have never been able to get that to work.
>
> Regards, Phil Muir
>
> P J Muir Productions,
> Music And Audio Production
> Telephone: US (615) 713-2021
> UK+44-1747-821-794
> Mobile: UK +44-7968-136-246
> E-mail:
> info@xxxxxxxxxxxx
> URL:
> www.philmuir.com/
> ----- Original Message ----- 
> From: "neville" <neville@xxxxxxxxxxxxxxxx>
> To: <ddots-l@xxxxxxxxxxxxx>
> Sent: Tuesday, March 10, 2009 1:51 PM
> Subject: [ddots-l] Re: comping vocal takes
>
>
>> Doesn't the track layer function serve this purpose?
>>
>> May the peace of God that passes all understanding guard your heart and
>> mind
>> in Christ Jesus
>>
>> God Bless You!
>>
>> email neville@xxxxxxxxxxxxxxxx
>>
>> Website
>> http://www.nevillepeter.com
>>
>> phone number 407-222-4488
>>
>> -----Original Message-----
>> From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx]
>> On
>> Behalf Of Kevin Reeves
>> Sent: Tuesday, March 10, 2009 12:24 AM
>> To: ddots-l@xxxxxxxxxxxxx
>> Subject: [ddots-l] Re: comping vocal takes
>>
>> I was thinking about this earlier. Pro Tools has these things called
>> Playlists, which allow you to organize your clips according to take. Once
>> you have all you're takes, you just juggle between playlists for each
>> peace
>> you want to comp. As a new sonar user, I'm exploring the idea of really
>> nailing the whole concept of how to use the clips pane so that you can
>> grab
>> different clips all on one track, instead of comping 3 tracks together. I
>> would think that the clips pane might be A more concise and organized way
>> of
>> comping, but I haven't really sat down and explored it yet. That is one 
>> of
>> my goals this year. Just some thoughts.
>>
>> -----Original Message-----
>> From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx]
>> On
>> Behalf Of HF
>> Sent: Monday, March 09, 2009 8:11 PM
>> To: ddots-l@xxxxxxxxxxxxx
>> Subject: [ddots-l] comping vocal takes
>>
>> I wanted to hear what others did for comping different vocal takes into
>> one
>> cohesive track.
>> Copying and paste seems to work well, except that it doesn't take into
>> account the different volume levels that you may have on respective
>> tracks.
>> How do you deal with that?
>> Do you guys have better success with normalizing before copying and
>> pasting,
>> normalizing the different sections or automating after the fact?
>>
>> HF
>>
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>
>
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