[ddots-l] Re: Hey guys you gotta hear this

  • From: "Darren H" <darren@xxxxxxxxxxxx>
  • To: <ddots-l@xxxxxxxxxxxxx>
  • Date: Wed, 25 Aug 2010 06:13:47 +0100

Hi.

I think it all comes back to what a recording artist does with the tool.

For example, you could use the real tracks to generate a full production,
which is probably a good idea for structuring your song.

Or, you could record your track as normal, then add a real tracks bassline
or sax riff just to give that extra something.

A lot will depend on the imagination of the user.

Better producers and musicians will find the most inventive ways of putting
it to use.

Cheers
Darren

www.karmistry.com
-----Original Message-----
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Justin Kauflin
Sent: 25 August 2010 06:03
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: Hey guys you gotta hear this

This is all very fascinating, and quite disturbing at the same time.  I
think its great that technology is bringing this sort of stuff along, but
can't help but think that music is about interaction.  I think a big part of
the equation gets thrown out when its all prerecorded, even by great
musicians.  I feel like performing can be so much rewarding when you are
actually interacting with others.  But, hey, whatever works for ya...
   With that said, I think these sort of things  do  look like  great
shedding tools.

Justin
On Aug 23, 2010, at 3:11 PM, Jack Conti wrote:

> and not much better than playing against a feel like that.  better than a
lot of other backing tracks out there. At 01:22 PM 8/23/2010, you wrote:
>> At 12:55 PM 8/23/2010, you wrote:
>>> Something about this just disturbs me.
>> 
>> If we're talking about Band-in-a-Box with realtracks and realdrums, those
are cunningly strung together loops of professional musicians.
>> 
>> I can only speak from experience playing jazz against Band-in-a-Box as a
practice tool. Personally, it's nice knowing that the realdrums jazz styles
were recorded by one of the best jazz drummers in the world, Terry Clarke.
If you want to develop good swing feel, listen to Terry.  It's certainly
better than the robotic rigid sort of swing you would develop with older
versions of the program, if you wern't careful.
>> 
>> Chris
>> 
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