[ddots-l] Re: Hey guys you gotta hear this
- From: "Darren H" <darren@xxxxxxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Wed, 25 Aug 2010 07:06:05 +0100
Hi.
On the upside, if live playing becomes somewhat of a novelty, real music
lovers will pay a premium to see real talent.
Supply and demand.
Cheers
Darren
-----Original Message-----
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Justin Kauflin
Sent: 25 August 2010 07:01
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: Hey guys you gotta hear this
Ah, I just watched the whole thing. I'm a little reassured that its at
least aimed at folks that want to practice with it. That's totally cool.
Its just like using a ultra customizable Jamey Aebersold, +1 type of thing.
Like a lot of things coming out today, I think they're all great tools and
can be very effective if used in the right way. Its just a little scary to
think of all the ways it could go wrong.
Phil, I think you got it when you said that people will want to see
real musicians as a special event. That is both scary and sad for me.
Justin
On Aug 25, 2010, at 1:13 AM, Darren H wrote:
> Hi.
>
> I think it all comes back to what a recording artist does with the tool.
>
> For example, you could use the real tracks to generate a full
> production, which is probably a good idea for structuring your song.
>
> Or, you could record your track as normal, then add a real tracks
> bassline or sax riff just to give that extra something.
>
> A lot will depend on the imagination of the user.
>
> Better producers and musicians will find the most inventive ways of
> putting it to use.
>
> Cheers
> Darren
>
> www.karmistry.com
> -----Original Message-----
> From: ddots-l-bounce@xxxxxxxxxxxxx
> [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On Behalf Of Justin Kauflin
> Sent: 25 August 2010 06:03
> To: ddots-l@xxxxxxxxxxxxx
> Subject: [ddots-l] Re: Hey guys you gotta hear this
>
> This is all very fascinating, and quite disturbing at the same time.
> I think its great that technology is bringing this sort of stuff
> along, but can't help but think that music is about interaction. I
> think a big part of the equation gets thrown out when its all
> prerecorded, even by great musicians. I feel like performing can be
> so much rewarding when you are actually interacting with others. But,
hey, whatever works for ya...
> With that said, I think these sort of things do look like great
> shedding tools.
>
> Justin
> On Aug 23, 2010, at 3:11 PM, Jack Conti wrote:
>
>> and not much better than playing against a feel like that. better
>> than a
> lot of other backing tracks out there. At 01:22 PM 8/23/2010, you wrote:
>>> At 12:55 PM 8/23/2010, you wrote:
>>>> Something about this just disturbs me.
>>>
>>> If we're talking about Band-in-a-Box with realtracks and realdrums,
>>> those
> are cunningly strung together loops of professional musicians.
>>>
>>> I can only speak from experience playing jazz against Band-in-a-Box
>>> as a
> practice tool. Personally, it's nice knowing that the realdrums jazz
> styles were recorded by one of the best jazz drummers in the world, Terry
Clarke.
> If you want to develop good swing feel, listen to Terry. It's
> certainly better than the robotic rigid sort of swing you would
> develop with older versions of the program, if you wern't careful.
>>>
>>> Chris
>>>
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