[ddots-l] Re: Hey guys you gotta hear this

  • From: Justin Kauflin <blindguy500@xxxxxxxxxxx>
  • To: ddots-l@xxxxxxxxxxxxx
  • Date: Wed, 25 Aug 2010 03:15:16 -0400

True true, I'd still like to see a little more security in the performance 
world as that is my main bread and butter.  We'll just have to wait and see how 
things go.

Justin
On Aug 25, 2010, at 2:06 AM, Darren H wrote:

> Hi.
> 
> On the upside, if live playing becomes somewhat of a novelty, real music
> lovers will pay a premium to see real talent.
> 
> Supply and demand.
> 
> Cheers
> Darren
> -----Original Message-----
> From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
> Behalf Of Justin Kauflin
> Sent: 25 August 2010 07:01
> To: ddots-l@xxxxxxxxxxxxx
> Subject: [ddots-l] Re: Hey guys you gotta hear this
> 
> Ah, I just watched the whole thing.  I'm a little reassured that its at
> least aimed at folks that want to practice with it.   That's totally cool.
> Its just like using a ultra customizable Jamey Aebersold, +1 type of thing. 
> Like a lot of things coming out today, I think they're all great tools and
> can be very effective if used in the right way.  Its just a little scary to
> think of all the ways it could go wrong.
>     Phil, I think you got it when you said that people will want to see
> real musicians as a special event.  That is both scary and sad for me.
> 
> Justin
> 
> On Aug 25, 2010, at 1:13 AM, Darren H wrote:
> 
>> Hi.
>> 
>> I think it all comes back to what a recording artist does with the tool.
>> 
>> For example, you could use the real tracks to generate a full 
>> production, which is probably a good idea for structuring your song.
>> 
>> Or, you could record your track as normal, then add a real tracks 
>> bassline or sax riff just to give that extra something.
>> 
>> A lot will depend on the imagination of the user.
>> 
>> Better producers and musicians will find the most inventive ways of 
>> putting it to use.
>> 
>> Cheers
>> Darren
>> 
>> www.karmistry.com
>> -----Original Message-----
>> From: ddots-l-bounce@xxxxxxxxxxxxx 
>> [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On Behalf Of Justin Kauflin
>> Sent: 25 August 2010 06:03
>> To: ddots-l@xxxxxxxxxxxxx
>> Subject: [ddots-l] Re: Hey guys you gotta hear this
>> 
>> This is all very fascinating, and quite disturbing at the same time.  
>> I think its great that technology is bringing this sort of stuff 
>> along, but can't help but think that music is about interaction.  I 
>> think a big part of the equation gets thrown out when its all 
>> prerecorded, even by great musicians.  I feel like performing can be 
>> so much rewarding when you are actually interacting with others.  But,
> hey, whatever works for ya...
>>  With that said, I think these sort of things  do  look like  great 
>> shedding tools.
>> 
>> Justin
>> On Aug 23, 2010, at 3:11 PM, Jack Conti wrote:
>> 
>>> and not much better than playing against a feel like that.  better 
>>> than a
>> lot of other backing tracks out there. At 01:22 PM 8/23/2010, you wrote:
>>>> At 12:55 PM 8/23/2010, you wrote:
>>>>> Something about this just disturbs me.
>>>> 
>>>> If we're talking about Band-in-a-Box with realtracks and realdrums, 
>>>> those
>> are cunningly strung together loops of professional musicians.
>>>> 
>>>> I can only speak from experience playing jazz against Band-in-a-Box 
>>>> as a
>> practice tool. Personally, it's nice knowing that the realdrums jazz 
>> styles were recorded by one of the best jazz drummers in the world, Terry
> Clarke.
>> If you want to develop good swing feel, listen to Terry.  It's 
>> certainly better than the robotic rigid sort of swing you would 
>> develop with older versions of the program, if you wern't careful.
>>>> 
>>>> Chris
>>>> 
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>>> 
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> 
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